I was thinking about classics and what makes for a classic and all that while humming away to my music and totally showing up first shift, and what I was thinking about was “good” and what made for “classics” in the eyes of modern critics.
Now, I’ve thought about this before in relation to reading the backs of classic works of lit when I worked at Borders and the Library. A very great many of these classics shared something in common, they all caused a clamor about how naughty the work was. Naughty came in different ways, but usually it was in regards to sex. And the clamor was all about how the books should be banned or not read. Which are different things, and I shall talk about the stupidity which is called banned books later.
Creating a ruckus about how the book is naughty and should be banned does not mean a book is good. I’ve read a few of these books, and tried to read a few more, and what they share in common to me is suckiness. They aren’t good books at all. This is nothing new. I find a great many classics to be utter garbage.
However, today my train of thought led me to a slight path I hadn’t really dealt with before. It led to thinking about what makes for good to a modern critic. The first is that is has to be serious and realistic. The second is that is has to deal with “controversial themes” and come down towards the left when dealing with them. A story about abortion that comes down as anti-abortion is not going to get critical acclaim, but one that is pro-abortion might. You can never really tell what’s going to hit it off.
Posted by marfresbo
Posted by marfresbo
Posted by marfresbo 